Most of this bondage art of the incubus in bondage is from the waist up. I’m hoping this doesn’t get taken down off of YouTube. The sketchbook exercises continue. What’s backfiring now is some spots are definitely bleeding the ink, and the brush pen is getting inconsistent (this came as I changed an ink cartridge, which may be the problem). But that’s why this is an exercise as opposed to focusing on a finished work.
The tricky part is, The Dungeon Store doesn’t go the route of The Stockroom and Extreme Restraints, showing models for several reasons. Product doesn’t need a model release. It keeps The Dungeon Store safe for work. And The Dungeon Store keeps out of the debate on inclusivity. There’s no body image issues, because there’s literally nobody modeling the product.
There’s several differences with my approach to this though. These clips are not catalogs, they’re just visualization. I can also begin to move some attention to demographics by using inclusivity AND approaching where The Dungeon Store has done sales in the past. For example, The Dungeon Store has done a lot of traditionally leatherman shows, like CLAW. I can also experiment with art of People of Color, and different body types, growing my experience with the art itself.
And this is strictly experimental. There’s no budget, no direction, and no deadlines. These pieces are primarily content for my social media, that can just happen send love to The Dungeon Store.
This piece above is of a subbie in bondage. The top is using a violet wand and conductive rope from The Dungeon Store. Attached to the wand is a Lumie, one of the accessories made in house by The Dungeon Store, and the rope allows the crackling feel to spread across the skin.
This started as a used page in my multimedia sketchbook. While on the road, I’ve given myself three challenges. Make use of the paper, practice using the brush pen as much as possible, and push the multimedia side of the paper as much as possible by using ink, acrylics, and more. Obviously, there’s a lot of black fill. The red is about three layers of acrylic ink. I scanned it this week and I’m adding more color. The hard copy is going to get silver for the chains and snaps, and possibly some blue ink or colored pencil. The scan is getting more blue for the corset and maybe some color for the Torture Garden logo. TG has been really great working with Sanctuary. I’m hoping they can use this in the future.
Dungeon Net
Hogspy
